Rabu, 30 Juli 2014

[P846.Ebook] Ebook Download The Picture of Dorian Gray (Annotated), by Oscar Wilde

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The Picture of Dorian Gray (Annotated), by Oscar Wilde

The Picture of Dorian Gray is a work of Gothic fiction and is the only novel published by Oscar Wilde. The novel was controversial for his time period, however it became one of his most well known pieces of literature.

This book has the following features:
-Formatted specifically for your Kindle
-Includes an active table of contents, which enables easy reading and navigation
-Contains added annotations with information about the author and the novel.

  • Sales Rank: #768037 in eBooks
  • Published on: 2014-05-27
  • Released on: 2014-05-27
  • Format: Kindle eBook

Amazon.com Review
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

From Publishers Weekly
Starred Review. First published in 1890 in Lippincott's Monthly Magazine and the following year in novel form, The Picture of Dorian Gray categorically changed Victorian Britain and the landscape of literature. An ostentatious, self-confessed aesthete, known for his wit and intellect, Wilde not only had to endure his prose being labeled "poisonous" and "vulgar," but also suffer its use as evidence in the ensuing trial, resulting in his eventual imprisonment for crimes of "gross indecency." Frankel's introduction provides a deft preliminary analysis of the novel itself—exploring etymology and extensive editorial alterations (both accidental and deliberate)—and offers valuable insight into the socio-cultural juxtaposition of aristocratic Victorian society and the London underworld. The original typescript provides the unique opportunity to examine what was considered acceptable in both the US and UK at the time. Intriguing annotations allude to Wilde's influences and enterprising range of reference, incorporating art, poetry, literature, Greek mythology, philosophy, and fashion (certain to inspire further reading; an appendix is provided). Comparisons are drawn between Dorian Gray and Wilde's other literary output, as well as to the work of Walter Pater. Numerous illustrations subtly compliment Frankelÿs inferences. A fine contextualization of a major work of fiction profoundly interpreted, ultimately riveting. (Mar.)

From School Library Journal
Grade 10 Up-"The Whole Story" format provides illustrations and annotations to the classic text. Ross's lively and sophisticated cartoons add interest, and historical information helps readers place the novel in proper context and gives insight into its characters. The problem with this attractive, glossy layout, however, is that the text and the quotes pulled from it are not always on the same page. Further, some illustrations and notations visually cut into the narrative and may distract readers. For example, a drawing appears on the first page along with the passage, "In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty," but that quote does not appear until the second page of the story. Useful as a supplement to the original novel, but not a replacement for it.
Karen Hoth, Marathon Middle/High School, FL
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

24 of 24 people found the following review helpful.
Be careful of your wishes.
By Marilyn
A dark story, narrated excellantly with changing voices for ths different characters. A painter friend convinces the extremely handsome, Dorian, to pose for him. The painting turns out so well Dorian wants to keep it. He makes a wish that he would always be so handsome and only the painting show his aging and scars of life. His wish is granted and you should follow the outcome of his life.

4 of 4 people found the following review helpful.
Not for people with short attention spans
By Burgo49
Unfortunately, I was disappointed with this book. I wanted to read this book so I can say I read at least one 'classic' as an adult. While I can at least say that, I found myself bored and my attention span drifting with the extended prose.

Although the book is less than 300 pages, it took me a while to complete it, perhaps due to some archaic vocabulary and extensive prose (which can bore me). That said, the novel was edited well, leaving out unnecessary details in a way that the reader could imagine what happened in the character's life without it being actually being written.

Wilde's writing is truly exquisite, and it's a shame he only wrote the one novel. While reading, I could fully envision the society and the people living in it (to the point of having strong feelings about some!).

Trust me, I really wanted to LOVE this book. And while I can appreciate this novel as a classic, I only liked it. The story was certainly quite creative and risque (for the time), which I enjoyed. I just wish it were a bit more amped-up.

In summary, if you want to read something more fast-paced, I wouldn't recommend this book. If you are a more "refined" reader, I think you have a better chance of truly enjoying it. Also, if you never had to read this in school, it’s worth reading it now.

1 of 1 people found the following review helpful.
A classic I am glad to have read
By Renée Reads
I'm not sure what my expectations were having never read but only watched various versions of Dorian Gray in shows, none of which were accurately faithful to the book. I could see how this would have been considered too risque for audiences at the time it was first published, which makes it an interesting note on how much society has changed. The book was slow moving for about the first 40% of the book and did not even move Dorian's story along. It was almost entirely about Lord Henry Wotton and a bit about Dorian, then when it did change perspectives to Dorian it still took a bit to get to the picture's importance. A good portion of the second half of the book was a litany of the "things" that Dorian would obsess over. To be honest I would skim over these and it was fine because all the detail was not necessary. Not a bad book but not a great read either. Simply a provocative book for an era long gone.

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[Z995.Ebook] Download Ebook Chess for Kids, by Michael Basman

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Chess for Kids, by Michael Basman

Learn the basics, strategies, and gamesmanship in this fascinating guide. Includes an informative section on chess history.

  • Sales Rank: #14864 in Books
  • Brand: DK Publishing
  • Published on: 2006-01-23
  • Released on: 2006-01-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .19" w x 8.50" l, .48 pounds
  • Binding: Paperback
  • 48 pages

From Booklist
Gr. 4-8. International Master Basman puts 20 years of experience teaching children how to play chess into this systematic, succinct, and thorough book. Dedicating each page to a different topic, he guides readers through the rudiments of the game, from explaining the pieces and setting up the board to special moves, essential techniques, and attack and defense strategies that players must know to win. Especially interesting for readers entirely new to the game are anecdotes in the "Check it out" section, which explain the origins of chess and how the game has figured in literature, language, and even history. A solid introduction for novices and good for skilled players wanting to develop their strategies and find out about chess clubs and tournaments. Roger Leslie
Copyright © American Library Association. All rights reserved

About the Author
Michael Basman became hooked on chess at the age of ten and has been playing ever since. Since becoming an International Master in 1981, he has dedicated his time to teaching school children how to play.

Most helpful customer reviews

91 of 94 people found the following review helpful.
Not that great
By A Customer
I have read about 6 chess books in my school library. I didnot find the teaching to be as serious as it should be for kids over 8 years old. I learned a lot more from "Chess For Juniors" and "ideas Behind the Chess Openings" in the library.

158 of 168 people found the following review helpful.
Not the Greatest Book to Begin with
By A Customer
CHESS FOR KIDS will get you started with the the very basic rules and will teach you some starting strategies and tactics.

Good Things about this book:

1) It covers the rules you need to know as a non-tournament player.

2) It covers just enough strategy and ideas to get you started.

3) Lots of Colour - makes it look attractive.

Not Good Things about this book:

1) It is written so that young kids cannot understand the level of reading level (should come with a notice: Batteries Required, Opps! I mean older reader required to help young readers),

2) The order of things is out of wack sometimes. This can make the learning confusing.

There are better books written for the beginner or children. For a teen or older Learn Chess by Alexander and Beach is much better organized and has a lot more depth. There are a couple chess books for the junior beginner that have a lower reading level.

154 of 164 people found the following review helpful.
Somewhat Confusing Methodology and Order of Progression
By Z. Helms
No doubt about it - the graphics and picutures in CHESS FOR KIDS are excellent. This is what I consider to be the good points of the book, now on to the weaknesses,

The weaknesses are:

The order in which the material is given needs some improving. This is not the exact order that a kid (or an adult) should be taught. This creates a degree of confusion.

The level of reading is not well suited for young kids to learn from, and

Some of the ways that things are explained, such as in the rules and certain aspects of strategies could use some improvement.

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Jumat, 18 Juli 2014

[N354.Ebook] Ebook Free Family Business, Risky Business: How to Make It Work, by David Bork

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Family Business, Risky Business: How to Make It Work, by David Bork

In this trail-blazing book, acclaimed consultant David Bork provides a fascinating, candid look inside the workings of family business. He shows how family businesses combine the pressures of business with the complex psychological and social problems that almost every family faces: sibling rivalries, clashes over values and expectations, drug and alcohol abuse, in-law problems, and more. Drawing on his experiences as a counselor to over 200 family-run businesses, Bork shows how families can surmount these difficulties and make life in a family business both profitable and personally satisfying.

Using the concept of the "family system," Bork explains how families either overtly or subconsciously develop and enforce their own traditions and values, often to the detriment of the family enterprise. He shows how the entrepreneurial founder can sow the seeds of lasting success--or sudden collapse--for the family business. He provides much needed guidance for developing a workable succession plan, and he shows how in-laws, children, spouses, and outsiders can be effectively integrated into the business.

  • Sales Rank: #364286 in Books
  • Published on: 1993-06-21
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 183 pages

About the Author
David Bork is founder of The Aspen Family Business Group and pioneer in the field of family business consulting. His consulting practice specializes in in-depth counseling and planning for family businesses. He pioneered the integrated approach to family business, combining family systems theory, psychological insights into individual development, and sound business practice. Bork has consulted for some of the largest and smallest corporations in North America and has worked with more family-controlled businesses than any other consultant in the United States. His work has been featured in such publications as Fortune, Money, Wall Street Journal, Nation's Business and Family Business Magazine.

Most helpful customer reviews

0 of 0 people found the following review helpful.
CLEAR OUT THE RISK IN A FAMILY BUSINESS
By JayByrd
This is an excellent book for anyone who wants to know how to make a family business work. David Bork and his associates are professionals at determining where the business has gone off the rails and putting together a plan that works for your distinct business. Bork has a shorter book with tips for those not familiar with what a family business consultant can do, but this book, Bork's original one, tells the stories that family businesses in trouble can easily relate to and move past the problem to prosperity.

0 of 0 people found the following review helpful.
Insight and Solid Advice
By A Customer
The use of a composite family in a family business was very helpful in bringing out many complex issues. This book was very readable and gave me a much better understanding of family systems theory. If you work in a family business or are a family member in a family business, this book will help you gain valuable insight. It has taught me how to solve many of the problems I was having with my siblings.

0 of 0 people found the following review helpful.
heavy on the drugs
By A Customer
A very good book about business families, but it is rather heavy on dependency and black sheep.

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Kamis, 17 Juli 2014

[K737.Ebook] Free PDF Sound Business, by Treasure, Julian Treasure

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Sound Business, by Treasure, Julian Treasure

A fascinating practical guide to the use of sound in business, from performance-enhancing soundtracks to retail environments and office partitions. The world is full of sound - most of it unwanted and unplanned - which can change our moods, our behaviour and our performance. This book explains clearly how to use this fact to great advantage, in terms of productivity and customer performance. In a few years, a company's sound will become as important as its logo and public image. Here is a practical guide to planning and managing sound for increased profit in all aspects of business. Julian Treasure is founder of the world's first strategic sound consultancy and an international consultant on all matters of the use and abuse of sound in business and commerce. He is frequently invited to speak at international conferences.

  • Sales Rank: #321319 in Books
  • Published on: 2011-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x .58" w x 5.83" l, .74 pounds
  • Binding: Paperback
  • 278 pages

About the Author
Julian Treasure is founder of the world's first strategic sound consultancy and an international consultant on all matters of the use and abuse of sound in business and commerce. He is frequently invited to speak at international conferences.

Most helpful customer reviews

20 of 21 people found the following review helpful.
A Sound Investment
By Paul Flanigan
Working in an industry concerned almost exclusively with the visual medium (Digital Signage), sound is largely an afterthought. While directing the in-store network at Best Buy, I realized the power of sound in experiential and brand engagement, and now consider it crucial to the strategy of effective communication.

I wish I had this book while I was at Best Buy.

Mr. Treasure's book is a must if you work in an industry where sound is in any way a part of the communication medium or environment. The book does a splendid job of covering the spectrum of sound, from creation to transmission to impact in just about every type of environment where sound is used.

The book is broken into three sections. Mr. Treasure first educates us on the technical side of sound: decibels, resonance, frequency, waves, creation, transmission, and the factors in sound's impact on the listener. He ends the section on listening. "Hearing is a physical process, but listening is a relationship, a choice, and a skill." The text dives deep into the ability to listen and decode information, citing research that states, "We can handle only around seven chunks of information at once (plus or minus two)." This is important when thinking about a retail environment and all the competing noise.

The second section tours the several different classifications of sound and applicable rules for working with sound, including Mr. Treasure's "Four Golden Rules of Sound:" Make the sound optional, make it appropriate, make it valuable, and test, test test. He writes about some new tools, such as Reactive sound, where computers with environmental sensors create sound on the fly. For example, when the room lights dim, the computer senses a change in light and automatically alters the sound.

Mr. Treasure introduces the SoundFlow(tm) model, a detailed process map that outlines the effects of sound on people and environments. He also introduces the SoundMap(tm), a 12-cell matrix with over 90 questions designed to drill down to the core issues around sound associated with a brand, product, or service. I'm willing to bet that you, Mr. or Ms. Marketing Executive, will be unable to accurately answer two-thirds of those questions. If so, you do not have a solid sound approach to your brand or product.

All of this information is the foundation for the third section where Mr. Treasure takes you on a journey through the application of sound in any given environment. He explains the value and impact of sound on a brand, ranging from brand music (British Airways using "Flower Duet" from Delibés' opera Lakmé), to sonic logos (Intel's five note logo or NBC's three-note chime).

Mr. Treasure explains the factors of sound in just about every type of environment, from retail spaces, to hospitals, reception areas, office environments, private spaces (living rooms) and vehicles.

The book is loaded with case studies and examples of good sound and bad sound, providing detail on how sound can affect sales and engagement. Mr. Treasure cites a retail project where the front windows were transformed into giant loudspeakers, resulting in a 50 percent increase in customer traffic stopping to investigate.

Mr. Treasure provides ample detail on the effect of sound in a retail environment. For example, he describes how up-tempo music results in customers with a higher degree of energy that move through store faster. He suggests that slower music results in longer dwell times. But, if you're Abercrombe and Fitch you would be hard pressed to change your Top 40 and electronic up-tempo music aimed at the teen and young adult demographic to slower music. Going back to the SoundFlow(tm) and SoundMap(tm) processes, Abercrombe and Fitch would be able to make the sound applicable to the environment as part of the brand, not just noise from the heavens.

The book comes with an accompanying CD that exemplifies the very situations he cites. After going through the CD along with the book, I cannot fathom how this book would work without it. I spent several tracks thinking, "So that's what he means!"

This book has proven to be an invaluable resource for my work with some of my clients, substantiating details I already knew about audio and providing me with knowledge on appreciating audio's impact and developing solutions better suited for the client and the audience.

I believe this would be a great addition to anyone's desire to understand the impact of interactive experiences, and highly recommend it.

I'll let Mr. Treasure close: "If this book achieves one thing only, I hope it is to move us out of this denial and into recognition of the enormous, varied and wide-ranging effects that sound is having on us all."

51 of 60 people found the following review helpful.
Good effort but no cigar
By M. J. Spencer
As a musician working internationally in business education I feel that a note of caution should be sounded with regard to this book. Whilst written with the best of intent, as a factual resource it illustrates the danger of taking too myopic a view on a subject matter and expanding it into an over pixilated canvas. This is particularly concerning when it moves into suggestions of a methodology of implementation that might, to some, seem Orwellian.

To write a book about the impact sound has upon our daily lives is no bad thing. As the author cites, even in London the Mayor has a policy about noise reduction. However the credibility of his message is considerably diluted both by the imprecision of the factual information he uses throughout, and from the rather worrying conclusions he derives which go to inform the design of a system designed to inflict more noise on the public based on what would appear to be unproven and highly subjective hypotheses.

Firstly, his knowledge of the history of music appears limited. By way of specific example, his references to the liturgical (Church) modes being used `to create different emotional responses to plainsong, from happiness to tears, tenderness to anger' are ill-founded. Modes were the building blocks of plainchant not a device for making comment. The chant itself tended to be highly organised, conforming largely to predetermined structures, and we have no verifiable proof as to their exact manner of performance. Whilst there may have been the all too human tendency to stray from this prescribed practice this was brought to an end by the Council of Trent (1543-1563) which decreed that sacred music `should be written in a dignified, serious style'. Tears, tenderness and anger played no part in the Mass...Tridentine or otherwise.

References to musical terminology are similarly inexact. For example the use of the word `pitch' has a very specific meaning relating purely to the frequency of vibration of a single sound source. That is all. Grouping `power spectrum' (whatever that might be), `harmonics', `mode', `melody' and `harmony' under this heading is like grouping a flock of birds under the word `feather'. All birds have them, but they are only part of the story. These types of indistinct observation are commonplace throughout the book.

His knowledge of physics too seems similarly wayward. When he divides sonic events into those that 'are vibrations' (e.g. a violin string) and those which `create vibration' (a hand clap) he misses the point. Both events are exactly the same in that they impact upon the air molecules and cause them to oscillate. It is just that one has periodicity, the other doesn't. And as for his comments to the effect that `we make sound but don't make light' ....we do. Infra red. It is just in a different place on the electro-magnetic spectrum from visible light. Strange too that Pythagoras is omitted from references to the harmonic series, or rather harmonic `scale' as the author would have it.

It is unclear too for whom this book is intended. The imprecise use of terminology makes it unsuitable for the professional, and at the same time somewhat bemusing for a non specialist. Mention of `tonic' and `dominant' in the context of contrasting Western music with that of Ornette Coleman will leave the cognoscenti shaking their heads whilst the uninitiated remain suitably bemused.

This book has a laudable premise; that the world we live in is becoming increasingly noisy by the profusion of non-natural sounds, and something needs to be done. However books of this nature would benefit from much more robust research amongst the academic work on the subject rather than relying upon the more meagre sources to be found in the book's bibliography. During such research the author may well find too that his personal assumptions are not quite what he first thought before going to press.

Incidentally the annoying little Nokia Tune is taken from the Gran Vals by Tarrega not, as stated in his book, from the Gran Vales by Farrega.

4 of 5 people found the following review helpful.
Julian Treasure is amazing
By Juliana Pizi
Probably the best book about sound. It helped me understand sound in all its aspects, and to start really listening to the world around me. Julian talks in a simple way, very easily understandable. Highly recommended!

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Selasa, 15 Juli 2014

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Harry and the Bucketful of Dinosaurs (Harry and the Dinosaurs)

  • Sales Rank: #2869321 in Books
  • Binding: Hardcover

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0 of 0 people found the following review helpful.
Buy It
By Sugar Magnolia
perfect

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Minggu, 13 Juli 2014

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The Mountain's Call, by Brennan Caitlin

  • Published on: 2004
  • Format: Import
  • Original language: English
  • Binding: Paperback
  • 464 pages

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23 of 26 people found the following review helpful.
Thank goodness I only rented this book from the library...
By Scott Whitelaw
Before anyone gets confused, I am not Scott Whitelaw that is my dad, and I am a 18 year old girl.

I have no idea why this book got such a high rating. I usually give fantasy books a little bit of lee-way in their mistakes since it can be hard to create a unique world that doesn't echo our own too much. Not only is the world unimaginative, with places with names such as "The Mountain", but the character are unrelatable, the plot not fully explained or developed, and the dialogue can be stilted with gaps missing in the conversations that make following them confusing.

The main conflict of the novel is about a special dance that will determine the fate of the kingdom but the dance is not explained fully and I spent most of my time wondering what is was and why should I care.

The main character is bland and doesn't change much throughout the novel. She is almost 16 and seems to be addicted to sex. Don't get me wrong, I'm not averse to a few well written sex scenes in a book, but the author's scenes were brief, meaningless, and poorly written. Here is a short summary of the main character's love life. She is almost raped, then she meets a evil barbarian dude who she knows she shouldn't like but still thinks he's hot anyways so she has sex with him for every night for about 4 months. she is taken prisoner by said evil barbarian but she still has sex with him, multiple times, and apparently likes it. then she realizes that she is in love with her teacher who is years older than her and whom she hates with a passion for no reason that is ever explained in the book. she has sex with him twice even though he is on the brink of death. Then she has sex with the evil barbarian dude and still likes it and soo on and so on.

So in conclusion all I have to say is DON'T WASTE YOUR TIME. I actually finished the book after 3 weeks of putting it up and down and I wish I hadn't. It doesn't EVER get better.

22 of 25 people found the following review helpful.
A wonderful, intricate mind-rush
By S Martin
I took a chance on this book based on the reviews here and on the RomanticSF website. I'm really glad I did. Having not read any Judith Tarr books I prepared to be pleasantly surprised, or at least place this in my 'to sell as a used book' pile.

Pleasantly surprised is not the half of it. From the very beginning one is drawn into an intricately shaped and wonderfully formed world where the magic of horses, power, inner strength and individuality in the face of adversity is approached from an intelligent, interesting and otherworldly viewpoint. There were times in the tale where I found myself wishing I could be Valeria for the day so I could experience this all first hand - the characters are that realistic and enjoyable to read.

At times, as non-prudish as I thought myself, the love and torture scenes were so well written and emphatically crafted into the story at such excellently timed points in the tale, that I was reminded in a positive eye-opening way that what I was reading was a very adult, but yet magical and powerful tale of fantasy - so different from some other fantasy tales, which are often de-sexed or de-clawed when it comes to the realities that some of the characters in the stories face. Don't get me wrong, this isn't pornographic or graphic in horror proportions. The 3rd person narrator just tells it like it is, but with such craftsmanship that you can't help but empathise with the characters' situation in the story. Excellently written.

Definitely a tale to read when you want to be drawn into a superbly crafted, magical, wonderfully intricate fantasy tale that will have you looking at the world quite differently when you have finished reading it. I look forward to the second book. Refreshing, interesting and a very good read. Highly recommended.

1 of 1 people found the following review helpful.
Could Have Been a LOT Better
By watch4birds
I had high hopes for this book. I still like the premise and the basic plot line of the novel: a girl gets "called" to join the exclusive Riders, who have previously all been male. Her struggles begin by simply getting to the Riders, to being trained and accepted as a Rider, to an international plot to destroy the kingdom. All these elements of the plot, I didn't mind. I enjoyed it actually. But, somewhere along the way, I feel that Brennan became too caught up with the sexuality of her main character, Valeria.

From the middle of the book to the end, it seems that every few pages she's having sex - and with 2 men at that. In one part, she goes from sleeping with one man then to the next practically during the same day. I'm not a prude or anything (I hope!), the moments of sex aren't too explicit, but I've never liked a heroine to tosses herself from one man to the next. She seems to have absolutely no control over her physical needs. In another seen, she sleeps with one of her lovers on the floor while her other lover is unconscious in the bed next to her! I'm sorry, but... Ugh! She knows one of her lovers is in a plot to destroy everything she's been taught to believe in... but he visits her and they have sex. EVERY TIME. The amount of sex and the awkward situations (like those previously mentioned) caused to me gradually lose respect in Valeria. She began to irritate me. Her responses seemed to grow more and more unrealistic - and if one would argue that it COULD be realistic, Valeria would not be someone that I would want to know or read about.

I don't have anything against the protagonists, uh.. "enjoying" themselves - but when these interludes grow in number to rival the plot... well, you have to draw the line somewhere. After awhile all I could think about was how utterly and completely horny Valeria was. Not a good thought for the supposed "savior" of the country.

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Sabtu, 12 Juli 2014

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  • Binding: Hardcover

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